From the author:
I was born in Cleveland, Ohio. I spent most of my childhood in Ohio and Michigan, and I have also lived in Boston, Wrightsville Beach NC, Sao Paulo Brazil, London, Paris, Chicago, and Los Angeles. I graduated from high school in 1988 and received further education at Denison University and the School of the Art Institute of Chicago. In 1993, I was sent to the Hazelden Foundation for the treatment of cocaine addiction and alcoholism. I moved to Chicago in 1994, where I worked variety of jobs, including doorman, stockboy, and member of a janitorial crew. In 1996, I moved to Los Angeles where I worked as a screenwriter, director and producer. In 2000, I took second mortgage on my house, and spent a year writing A Million Little Pieces. It was published by Nan A. Talese/Doubleday in May of 2003 and became a New York Times Bestseller, a #1 National Bestseller, and an International Bestseller. It was also named The Best Book of 2003 by Amazon.com. In 2004, I wrote My Friend Leonard, which is a sequel to A Million Little Pieces. In June of 2005, Riverhead Books published My Friend Leonard, which also became a New York Times and International Bestseller. I live in New York with my wife, daughter, and two dogs.

Intense, unpredictable, and instantly engaging, A Million Little Pieces is a story of drug and alcohol abuse and rehabilitation as it has never been told before. Recounted in visceral, kinetic prose, and crafted with a forthrightness that rejects piety, cynicism, and self-pity, it brings us face-to-face with a provocative new understanding of the nature of addiction and the meaning of recovery.

By the time he entered a drug and alcohol treatment facility, James Frey had taken his addictions to near-deadly extremes. He had so thoroughly ravaged his body that the facilityís doctors were shocked he was still alive. The ensuing torments of detoxification and withdrawal, and the never-ending urge to use chemicals, are captured with a vitality and directness that recalls the seminal eye-opening power of William Burroughsís Junky.

But A Million Little Pieces refuses to fit any mold of drug literature. Inside the clinic, James is surrounded by patients as troubled as he is - including a judge, a mobster, a one-time world-champion boxer, and a fragile former prostitute to whom he is not allowed to speak ó but their friendship and advice strikes James as stronger and truer than the clinicís droning dogma of How to Recover. James refuses to consider himself a victim of anything but his own bad decisions, and insists on accepting sole accountability for the person he has been and the person he may become-which runs directly counter to his counselors' recipes for recovery.

James has to fight to find his own way to confront the consequences of the life he has lived so far, and to determine what future, if any, he holds. It is this fight, told with the charismatic energy and power of One Flew over the Cuckoo's Nest, that is at the heart of A Million Little Pieces: the fight between one young manís will and the ever-tempting chemical trip to oblivion, the fight to survive on his own terms, for reasons close to his own heart.